If you read my last post, you’ll know that I had a lot of concerns about going back to work on set during the COVID-19 pandemic. My main point was that, without major changes to our industry and the way that we do things that at least partly took on the problems created by it’s massive structural inequality, crew people — and not just us, but really everyone working on set, given the way that we are used to working — would be put at risk.
Yeah, I Wasn't Wrong: A Series Of Letters
Yeah, I Wasn't Wrong: A Series Of Letters
Yeah, I Wasn't Wrong: A Series Of Letters
If you read my last post, you’ll know that I had a lot of concerns about going back to work on set during the COVID-19 pandemic. My main point was that, without major changes to our industry and the way that we do things that at least partly took on the problems created by it’s massive structural inequality, crew people — and not just us, but really everyone working on set, given the way that we are used to working — would be put at risk.